Found something interesting while reviewing my top tracks this year—AI-generated music ranked as my number 5 most played. And honestly? I think people are overthinking this.
The whole 'AI music is bad' narrative needs a reality check. It's not a threat to creativity, it's expanding what's possible. Yeah, sure, there are concerns worth discussing—copyright issues, authenticity in the art world, that sort of thing. But dismissing it outright misses the actual opportunity.
Think about it: AI tools are making music production accessible to people who couldn't afford studio time or formal training before. Independent creators can experiment faster. The collaboration between human intent and algorithmic precision? That's genuinely interesting from a production standpoint.
The real question isn't whether AI music is 'good' or 'bad'—it's about how we integrate it into existing creative ecosystems. On-chain music rights, decentralized creator platforms, new monetization models for collaborative AI-human tracks. That's where the conversation should be heading.
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MidnightMEVeater
· 13h ago
Good morning, 2 a.m. AI music ranks in the top five, this is the new liquidity trap—cheap capacity swallows up the creative premium, and then everyone is fighting for the same piece of the pie.
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AirDropMissed
· 13h ago
I think your perspective is quite valid, but the copyright aspect is indeed a tricky area... Currently, there is no standard solution for on-chain copyright verification.
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SybilSlayer
· 13h ago
ngl I quite buy into this logic, much more clear-headed than those who outright dismiss AI.
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GateUser-bd883c58
· 13h ago
NGL AI music is really not that scary; instead, it opens up new possibilities. This is what Web3 should be doing.
Found something interesting while reviewing my top tracks this year—AI-generated music ranked as my number 5 most played. And honestly? I think people are overthinking this.
The whole 'AI music is bad' narrative needs a reality check. It's not a threat to creativity, it's expanding what's possible. Yeah, sure, there are concerns worth discussing—copyright issues, authenticity in the art world, that sort of thing. But dismissing it outright misses the actual opportunity.
Think about it: AI tools are making music production accessible to people who couldn't afford studio time or formal training before. Independent creators can experiment faster. The collaboration between human intent and algorithmic precision? That's genuinely interesting from a production standpoint.
The real question isn't whether AI music is 'good' or 'bad'—it's about how we integrate it into existing creative ecosystems. On-chain music rights, decentralized creator platforms, new monetization models for collaborative AI-human tracks. That's where the conversation should be heading.